Gina Morland is a Liverpool based fine artist whose practice explores domesticity, memory and sensory experience through textile processes and installation. Working with materials such as lace, gauze and fabric, she investigates how touch, texture and light can evoke traces of presence and emotion. Fabric plays a central role within her practice, and through working with textiles, she explores material not only for its aesthetic qualities, but also for the cultural associations it carries, particularly in relation to care and feminist practices.

Alongside her textile work, she produces video installations, using sequences of thermally printed stills that are animated to create shifting, unstable imagery. The fading and distortion inherent in thermal printing reflects the fragility of memory, reinforcing her interest in material change.

Her ongoing practice continues to explore how textile processes and time-based media can communicate presence, absence and the persistence of memory.